In Indian classical music, rasa serves as the core emotional essence, a concept that transcends simple translation. Rooted in ancient Sanskrit, rasa is best understood through experience, rather than words. It represents the deep emotional connection we feel through the arts, whether in music, poetry, painting, or drama. Entering the bhava-jagat, or emotional world, allows both the artist and the audience to share in this journey of feeling.
For a musician, the experience of rasa unfolds within the raga they perform, immersing themselves fully in the mood of the piece. The listener, in turn, experiences this through a heightened state of emotional resonance. Derived from the Sanskrit term for “living liquids” like juice or sap, rasa carries meanings of essence, flavor, and emotional power, representing the heart of Indian aesthetic thought.
Indian ragas are intricately tied to specific emotions, seasons, rituals, and times of day. Each raga carries its own rasa—a distinct emotional or spiritual flavor that transforms both performer and listener, often reflecting the rhythms of nature and life. Whether invoking the soft warmth of the morning or the intense passion of dusk, ragas function as vehicles for rasa, guiding us through a rich tapestry of moods and moments in time.
Guru-ji has rendered bansuri performances at various major Music Festivals in India as well as abroad. He has performed in Austria, Belgium, Cyprus, France, Germany, Hungry, Italy, Netherlands, Poland and Switzerland. He also conducts regular bansuri workshops in France, Germany and Belgium. He also has an album to his credit, which was released in 1992 from Zurich, Switzerland. He regularly performs bansuri recitals for All India Radio and Doordarshan T.V. at National level.